Few people realise that
totem pole sculpture has several styles, depending on the tribe. The
two best documented styles are Kwakiutl and Haida. The Haida are the
tribe that lives on what used to be called the Queen Charlotte
Islands and is now officially called Haida Gwaii. During the
epidemics of 19th century some 90% of the tribe died out
leaving deserted villages full of totem poles. In the humid climate
of the islands the villages, including the poles, slowly
disintegrated. However, in the 1950s some of those rotting totem
poles were taken to museums, where they are kept in dry air to stop
any further decay. They can be seen in the Museum of Anthropology in
Vancouver and in the Haida Heritage Centre in the village of
Skidagate at Haida Gwaii. They are well preserved there but one can
also see the totem poles slowly rotting away in the deserted
villages.
In the first half of
the 20th century the practice of totem pole carving almost
disappeared. It was revived in the second half of the century due to
the academic interest at first. In 1965 an art historian Bill Holm
published a book about the totem pole carving and clearly identified
features of each tribe style. Since then many poles in traditional
styles have been produced. They can be seen in parks of many cities
of British Columbia. Here, however, are the 19th century
originals preserved in museums. Only the last picture shows a pole
left in its natural setting in the deserted village of Skedans.
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